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AND GOD CREATED GREAT WHALES
Download Technical Rider
Available for touring and extended runs in 2012 and 2013
An extraordinary and haunting musical adventure into the psyche of a composer trying to create an opera based on Herman Melville’s Moby Dick. Desperately fighting against a disease eating away at his mind, he is forced to rely on a tape recorder hung around his neck, each day pressing "Play" and hearing yesterday’s instructions to himself. Described by thee New York Timessas
"an American loner-eccentric with touches of Bertolt Brecht, Samuel
Beckett, and Tom Waits," Rinde Eckert displays his full creative force
in this frenzied, funny, romantic and moving play.
THE REVIEWS:
“In Rinde Eckert’s unique play with music, directed by David
Schweizer, Nathan (Eckert), an opera composer, has a degenerative
disease that is so quickly and profoundly destroying his memory that
he has to keep a tape recorder strapped around his neck with
instructions that remind hi of who he is and what he is doing; trying
to finish an opera based on “Moby Dick”. Nathan has an imaginary
friend and music, Olivia (the multitalented Nora Cole), who enacts the
opera with him and keeps him on task.
Every element of Eckert’s play is masterly – his performances
as a grown man becoming a child is poignant, his music varied and
lovely, his dancing divine, his musings profound.”
The New Yorker - March 5,
2012
“This
double sense, both comic and tragic, of human inadequacy and divine
aspiration is what gives ‘Whales’ its enduring appeal, including to
audiences who usually steer clear of the avant-garde. It values the
gesture, the reaching for immortality, that is a part of all art. As
anyone over 40 knows, individual memory is fragile and increasingly
full of holes. In ‘Whales’ Mr. Eckert gives sweet, silly and sad form
to the hope that our memories survive intact in what we create. This
makes his production, directed by David Schweizer and also starring
Nora Cole, deeply sentimental or, if you prefer, sentimentally deep.
‘Whales’ sometimes lays on the heart-struck whimsy as thickly as a
Frank Capra movie. But the show is affecting in darker, deeper ways
too. As Nathan struggles to re-create the music lost in his mind, Mr.
Eckert summons the terror we all sometimes experience, that we are
gradually disappearing. Large boned and bald headed, Mr. Eckert’s
Nathan is hardly an invisible man. Yet he often seems to dissolve
before our eyes. And the show’s excellent layered sound-design means
we’re never quite sure where the music we occasionally hear is
originating. Composed by Mr. Eckert, the score is often quite
beautiful in a Benjamin Brittenesque way (Nathan’s catalog of the
timbres of instruments and voices is priceless.). Early in the show,
as Nathan listens to his recorded voice, Mr. Eckert’s face blossoms
into an expression of agreeable surprise. Nathan is pleased to make
his own acquaintance. You’re likely to share his delight.”
New York Times - February 15, 2012
http://theater.nytimes.com/2012/02/18/theater/reviews/culture-projects-revival-of-and-god-created-great-whales.html
“The
Culture Project had one of its earliest successes with Rinde Eckert's
richly conceived work. To celebrate its return to its former home at
45 Bleecker, the company has remounted the OBIE Award-winning
two-hander, which remains a stunning piece of music theater. Among the
vocal highlights is a sermon aria which Eckert delivers with passion.
As a singer, Eckert is able to traverse an impressive range, seeming
equally comfortable with a richly textured baritone and a clarion
falsetto. Cole's gorgeous soprano is also shown off nicely within the
piece. The piece has a strong arc. Its themes of creation and
the pursuit of the unattainable are emotionally resonant and
dramatically satisfying.”
Theater
Mania - February 13, 2012
http://www.theatermania.com/off-broadway/reviews/02-2012/and-god-created-great-whales_49949.html
“It
does have going for it an emotionally resonant take on human frailty
and Eckert’s bravura performance as the composer, bumbling and
exuberant, childlike and deeply felt. When his shockingly nimble
singing voice rises to declaim a preacher’s sermon or recedes to the
whispered squeak of a terrified boy aboard the whaling ship, we can
hear intimations of the sweep of one man’s life–and the journey to sea
that awaits us all.”
The Broadway Blog – February 17, 2012
http://thebroadwayblog.com/2012/02/17/4483-to-see-or-not-to-see-and-god-created-great-whales-carrie-william-shatner
The Stage Dive Weekend Roundup Vulture (blog) * Feb 17, 2012
http://www.vulture.com/2012/02/theater-reviews-the-stage-dive-weekend-roundup.html
“The multi-talented Eckert created, composed, made the sound design
and wrote And God Created Great Whales, and gives a
dazzling performance that includes not only brilliantly original
acting, but also brilliantly original singing. Many composers and
theater artists through the years have significantly harpooned ‘Moby
Dick’, including Orson Welles, Bernard Herrmann and Laurie Anderson.
Eckert has created a great
Whales.”
Los Angeles Times, Mark Swed – January 26, 2012
http://latimesblogs.latimes.com/culturemonster/2012/01/and-god-created-great-whales.html
Kiowa County Signal * Jan 26, 2012
http://www.kiowacountysignal.com/community/blogs/popculturebeast/x1192850508/Theater-Review-And-God-Created-Great-Whales
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